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Unit 1：Popular Noises 1

Text Ⅰ What Is This"Black"in Black Popular Culture? 3

Text Ⅱ From John Farmhand to Lordi:the Noise of Music 21

Unit 2：The Political Economy of Music 33

Text Ⅲ The Music Industry and Rap：between the Street and the Executive Suite 35

Text Ⅳ Digitalisation,Music and Copyright 49

Unit 3：Technology 69

Text Ⅴ The MP3 as Cultural Artifact 71

Text Ⅵ No Dead Air!The iPod and the Culture of Mobile Listening 83

Unit 4：Musical Creativity,Authorship and Musicianship 93

Text Ⅶ Music,Culture,and Creativity 95

Text Ⅷ From Craft to Corporate Interfacing:Rock Musicianship in the Age of Music Television and Computer-Programmed Music 108

Unit 5：Musical Forms,Styles and Genres 129

Text Ⅸ Popular Music Analysis:Ten Apothegms and Four Instances 131

Text Ⅹ From"My Blue Heaven"to"Race with the Devil":Echo,Reverb and(Dis)Ordered Space in Early Popular Music Recording 144

Unit 6：Visualizing Music 163

Text Ⅺ Panel Discussion on Film Sound/Film Music 165

Text Ⅻ The Aesthetics of Music Video:an Analysis of Madonna's "Cherish" 184

Unit 7：Subjectivities,Bodies ＆ Identities:Youth 201

Text ⅩⅢ Researching Youth Culture and Popular Music:a Methodological Critique 203

Text ⅩⅣ Just a Girl?Rock Music,Feminism,and the Cultural Construction of Female Youth 213

Unit 8：Subjectivities,Bodies ＆ Identities:Gender and Sexuality 229

Text ⅩⅤ Turn the Beat Around:Richard Dyer's"In Defenee of Disco"Revisited 231

Text ⅩⅥ What's That Smell?Queer Temporalities and Subcultural Lives 239

Unit 9：Subjectivities,Bodies ＆ Identities:Race and Ethnicity 251

Text ⅩⅦ Music and the Global Order 253

Text ⅩⅧ From Bombay to Bollywood:Tracking Cinematic and Music Tours 265

Unit 10：Spaces,Flows and Subjectivities 281

Text ⅩⅨ Dancing between Islands:Hip Hop and the Samoan Diaspora 283

Text ⅩⅩ Would You Like Some World Music with Your Latte?Starbucks, Putumayo,and Distributed Tourism 293

Glossary 305