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Chapter Ⅰ Rhythmic Subtlety vs Metrical Inspiration——Comparison of Chinese and Western Poetry.Section Ⅰ．Secular Songs vs Religious Hymn:Difference in Subject Matter 11

Section Ⅱ．Shifting vs Relative Stability:Comparison in Poetic Forms 19

Section Ⅲ．Rich Techniques vs Predilection for Symbolism:Difference in Techniques 28

Section Ⅳ．Different View on War and Death:Difference in Values 35

Chapter Ⅱ Abstract Ideation vs Vivid Description——A Comparison of Chinese and Western ProseSection Ⅰ．Philosophical Strength vs Emotional Vigor:Comparison of Chinese and Western Prose 45

Section Ⅱ．Fu and Dialogue Form Prose:Comparison of Specific Styles 50

Section Ⅲ．Individualism vs Collectivism:Values reflected in Chinese and Western Essays 59

Section Ⅳ．Impact of Western Prose on Chinese Prose 66

Chapter Ⅲ The Art of Alienation and Integration——Comparison of Chinese and Western DramaSection Ⅰ．Singular in Time and Space:Different Origins of Chinese and Western Drama 74

Section Ⅱ．Undiluted Tragedy vs Aesthetic Grief:Comparison of Dramatic Tragedies 81

Section Ⅲ．Alienation vs Integration:Difference of the Relationships between Actors and Audience 89

Section Ⅳ．Exchanges and Assimilation 96

Chapter Ⅳ Versatility vs Relative Uniformity——Comparison of Chinese and Western FictionsSection Ⅰ．Steady Development vs Catching up:Development of Chinese and Western Fictions 104

Section Ⅱ．Direct Portrayal vs Indirect Rendering:The Psychology in Chinese and Western Fiction 111

Section Ⅲ．Absence vs Awakening:Feminist Consciousness in Chinese and Western Fictions 118

Section Ⅳ．Chinese Fiction under the Influence of Western Ideas:Impact and Assimilations 130